quilt up!

Today I had a chance to hang the collaborative paper quilt that 28 classes created last week. The final dimensions are 8' x 24'. Again, it was inspired by Tula Pink's "TriDazzler" quilt.

It's always pretty wild to see how these come together on a vertical surface that a viewer can scan left to right without any distortion in shape.

shine like a diamond.

We are off and running at Zamo!

As usual, I am starting the school year off with a collaborative project that is low stress and high impact. a little background- during the first week I meet with classes for 30 minute mini lessons. This allows me to review art room rules and procedures and to get students creating right away. Kids end up creating for about 20 minutes.

This lesson always emphasizes unity and variety in both art and our school community and beyond. I make a point of introducing textile artists, fabric designers, and quiltmakers with these lessons due to the modular nature of the designs and because I feel that they are often neglected in art education and the art world.

This year, I discovered the work of Tula Pink through instagram and her "TriDazzler" quilt jumped out at me from her feed. I love the repetition of the diamonds and triangles and how the colors repeat in a looser visual way. The main adjustment we made in our approach to Tula's quilt design, was that the center line of the diamond could be rotated either horizontally or vertically.

The prep for this project is pretty simple compared to some others that I have done (looking at you Libs Elliott project and the Latifah Saafir/Sylvia Sutters project;)

I precut a bunch of 6x6" squares that covered the spectrum of colors, plus any tints and shades of those I had available. I then cut a bunch of those squares in half.

Before each class comes in, I place a square & triangle at each seat. As classes move through, I progress through the collection of colors I have to create a loose gradient across the install. I don't have a formula to the progression, it's more of a feel when having colors enter and exit, and re-enter the overall arrangement.

Students glue the triangle onto their diamond.
Students rotate their diamond, so the center line is horizontal.
Students add lines from the top and bottom of the diamond to the center line. They need at least 2.
Students add any colors like like to their smaller triangles, leaving at least one piece the color of the paper on top and bottom.
Students put glue on the back of their diamond.
Students bring their piece to the larger paper quilt and place it on, making the decision to have the center line vertical or horizontal, repsonding to the diamonds already in place.

end of day 1.

end of day 2.

I still have 2 days to go. I am out of space to assemble the full install on my tile floor. There are 14 classes that will take part in this over the next two days. My plan is to add one more section of length to make it 22' long and one more section of height along the whole thing to make it 9' tall. The final install will go on the back wall of our auditorium, so that we have have a dynamic piece of art up by the second week of school.

I can't wait to see this whole piece assembled on the wall. It's always interesting to see these come together and it's particularly cool to see it in different ways- the diamonds up close during the activity, on an angle while up on a ladder above my floor, to the finished piece to take in while standing back from it.

Our kids are always stoked to participate and watch it grow, too. Depending on the size of your school, you could have everyone take part. 

If you're an art teacher and want to try this- go for it! Just be kind and cite your sources:)

murals with maya.

So, I was planning on having my 2nds experiment with shape and cut paper collage this week... and then I went to a makerspace session at naea17 in nyc last week and changed my mind.

I watched how a morphi representative took a 3d solid she designed in that app and dropped it into a image from google earth to serve as a virtual sculpture. Boom! I loved that idea. Now, I am not fluent enough in morphi to teach it to my kids yet, but I immediately realized I could do something similar with the assembly app with my students.

Last year I had a number of grade levels experiment with the assembly app and found that there was a lot of student success and high engagement while working.

So, this week, my 2nds have been looking at the work of artist Maya Hayuk for shape and mural concept inspiration and then working with a partner to play and explore the app while they create a virtual mural for our school community. When looking at Maya's work I have emphasized her use of layered, overlapped geometric shapes. I don't expect the kids to copy her work, but I do want them to focus on geometric shapes and layering. We also have noticed that some of her murals have a strong sense of symmetry while others do not. I want students to be able to recognize this principle in their designs as well.

I have created a short video how-to for the app that I share with the students as we prepare for using the app in class and we view this in a couple chunks after looking at Maya's work. (i'll post that soon:)

I really encourage play with this project. Since it's a digital collage, they can erase shapes and delete parts they aren't digging with the touch of the screen. Assembly is a very user friendly app- it's quite easy to add shapes, flip and rotate them, change sizes and colors.

I went around on Monday with a bunch of ipads and took photos of several blank walls on campus. Students select one of these to serve as the background of their assembly creation. Then, the teams of two start to experiment. Once they have a satisfying composition, they save it and continue to play. They can choose a different wall and go, or simply clear the shapes and work with the same wall.

I have been transferring the images to my mac and then emailing them to the classroom teachers, so they can look at them on their smart boards back in class. I will be printing a bunch of the images out to include in our annual student exhibit that will take place in a couple of months.

There are many choices for students to make with this project. I do have a few rules- no natural shapes, include overlapping shapes, and all of the design must be on the wall. This last one is key because a muralist can not paint on the sky in real life.

My students connect with murals because our campus is covered with them and because we had a local muralist create one on campus earlier this year and they got to see the whole process. I think this project is a great way for them to think about designing with a purpose. In this case it was making something that would turn their playground environment into something more beautiful and enjoyable.

I was only intending these designs to remain digital, but after seeing some of the results, I do believe I need to find the time to make at least a couple of these actually happen on our campus!

the superduper zamo quilt mashup of 2016.

Back to business at Zamo! I had a wonderful summer break drawing outside, camping, beaching, doing honeydos, and spending time with the fam. It's hard to believe that my last post was about our end of the year 5th grade legacy mural. But, in a way, it's a perfect segway... from a large scale permanent public art install to a large scale temporary one.

Every year I kick things things off with a week of 30 minute mini-lessons that allow me to review my classroom expectations with students and to create an artwork that celebrates both the unity and diversity present in our school population. 

This year I found inspiration in work by two different quiltmakers. Latifah Saafir is an LA based quiltmaker and Sylvia Sutters is a quiltmaker working in Saint Louis. Last year I used Latifah's work as inspo for a kinder drawing project, but Sylvia is new to me. I found both by going through the Modern Quilt Guild's website, FB, and instagram galleries. There is so much visual goodness at all of those platforms!

I first introduce Latifah's Glam Clam quilt and we look at how she repeats one shape over and over- same size, same direction. This is similar to the unity found at a school site- the kids are all in the same class, same grade, etc. Then I ask them how the shapes are different from each other- patterns and colors and we relate this to the fact that none of the kids are exactly the same, that they all have unique qualities that make them special.

We then look at Sylvia's Current Wave quilt and I ask the kids how is this similar to Latifah's piece and then how it is different. A lot of kids noticed that she used the same shape as Latifah, but rotated that shape freely to create a different composition.

Finally, we looked at one more from Latifah, her hexie glam clam pattern and noticed that she introduced a new shape into the pattern.

At this point, I explain that they will be doing a mashup of the 2 quiltmakers' work. Each student will create a hexie glam clam piece and then we will put them together, rotating them in different directions to create a composition influenced by Sylvia's quilt.

Then it is time to create. It goes by superfast. My review of rules and intro to the quilters work takes 10 minutes, which leaves 20 to trace, cut, glue, draw, and glue again.

This is what my tables look like before the kids come in.  Each student has a 5" clam stencil and a smaller hexie stencil. They have a large piece to trace the clam and a smaller one to trace the hexie. Depending on what colors we are at on the collaborative quilt, the colors on the table change. We started with light yellows and oranges on Tuesday and finished with yellow greens on Friday afternoon. I gradually work in new colors and transition out of old ones to create the spectrum effect in the final install. I transitioned the hexie colors between white, light gray, dark gray, and black a bit quicker than the colors. This gives the final install more of an undulating look.

I prepared about 50 stencils of each shape because, inevitably, some get glued together, crumpled up, or thrown away.

Kids trace both shapes first.

They then cut out both shapes.

After gluing the hexie on, they create a pattern that tells us a little bit about themselves.

They could use lines, shapes, colors, or words to build their personal patterns.

They put glue on the back of their clam when finished with their patterns

and place it on the quilt, responding to the ones previously set in place.

This was our progress after 3 days. 

This is the final install in our auditorium. It will serve as a backdrop for assemblies.
The final size is 21' x 4'. About 600 kids in 3rd-5th grades participated.
The individual pieces are glued onto a series of 24x36" white sheets.

Something like this takes a bit of preplanning (what doesn't;), but it gives you a relatively quick way to get some color and beauty up at your school for the beginning of the year. The hands on portion is pretty low stress for the kids because it is fast and their piece becomes part of a much larger whole, so if they are concerned about making mistakes I encourage them to work through it and with it. When the pieces are installed, nobody will notice errors in cutting or drawing. 

Our Zamo kids did a great job with this! I'm looking forward to a most excellent school year!