into the deep with yellena.

I've loved the work of Yellena James for many years. 2 of her prints hang in our living room and they are such a treat in terms of shape, pattern, and subtle movement. she was one of the first living artists that I brought into my elementary curriculum and I think it's long overdue to share her work with another generation of Zamorano students.

Recently, Yellena has been working on dark backgrounds and creating shapes and patterns with colors that are most luminescent. I love the glow and the mystery of these darker compositions. To me, they appear to be fantastical studies of underwater sea life.

With my 3rd graders, I'm using her work to start their line unit. We are looking at a number of her paintings and using them as a springboard to experiment with contour line, pattern, and space. When students use sketching to plan their compositions, we talk about how they should be drawing from 3 things- Yellena's work, their personal experiences with nature, and their imagination. After creating at lest 2 sketches, they describe which one they would like to move forward with and then get rolling on the black paper final drawing.

When starting on the black paper, I encourage them to draw out the shapes softly with our crayola colorsticks- this will allow them to erase and edit if necessary. Once things are laid in, they add patterns and other details. Then they can start playing with hand pressure to make some of the elements brighter to pop and to make other parts submerge a bit into the background darkness. I encourage them to elaborate on their sketches- adding more pattern, detail, and color.

There are a few constraints with this drawing activity- a minimum of 3 shapes, 3 patterns, and a use of overlapping. I also encourage them to play with line thickness as well as hand pressure, so that focal points stand out a bit more.

I really am enjoying the variety of compositions that are coming from this drawing experience! next week, they are going to use line a lot differently, so they can see the range of possibilities with the similar elements and materials... stay tuned:)

A few more classes have yet to play, so I'll come back and showcase their work, too.

These are from Thursday:)

Doesn't this necklace totally fit in with the drawings???

murals with maya.

So, I was planning on having my 2nds experiment with shape and cut paper collage this week... and then I went to a makerspace session at naea17 in nyc last week and changed my mind.

I watched how a morphi representative took a 3d solid she designed in that app and dropped it into a image from google earth to serve as a virtual sculpture. Boom! I loved that idea. Now, I am not fluent enough in morphi to teach it to my kids yet, but I immediately realized I could do something similar with the assembly app with my students.

Last year I had a number of grade levels experiment with the assembly app and found that there was a lot of student success and high engagement while working.

So, this week, my 2nds have been looking at the work of artist Maya Hayuk for shape and mural concept inspiration and then working with a partner to play and explore the app while they create a virtual mural for our school community. When looking at Maya's work I have emphasized her use of layered, overlapped geometric shapes. I don't expect the kids to copy her work, but I do want them to focus on geometric shapes and layering. We also have noticed that some of her murals have a strong sense of symmetry while others do not. I want students to be able to recognize this principle in their designs as well.

I have created a short video how-to for the app that I share with the students as we prepare for using the app in class and we view this in a couple chunks after looking at Maya's work. (i'll post that soon:)

I really encourage play with this project. Since it's a digital collage, they can erase shapes and delete parts they aren't digging with the touch of the screen. Assembly is a very user friendly app- it's quite easy to add shapes, flip and rotate them, change sizes and colors.

I went around on Monday with a bunch of ipads and took photos of several blank walls on campus. Students select one of these to serve as the background of their assembly creation. Then, the teams of two start to experiment. Once they have a satisfying composition, they save it and continue to play. They can choose a different wall and go, or simply clear the shapes and work with the same wall.

I have been transferring the images to my mac and then emailing them to the classroom teachers, so they can look at them on their smart boards back in class. I will be printing a bunch of the images out to include in our annual student exhibit that will take place in a couple of months.

There are many choices for students to make with this project. I do have a few rules- no natural shapes, include overlapping shapes, and all of the design must be on the wall. This last one is key because a muralist can not paint on the sky in real life.

My students connect with murals because our campus is covered with them and because we had a local muralist create one on campus earlier this year and they got to see the whole process. I think this project is a great way for them to think about designing with a purpose. In this case it was making something that would turn their playground environment into something more beautiful and enjoyable.

I was only intending these designs to remain digital, but after seeing some of the results, I do believe I need to find the time to make at least a couple of these actually happen on our campus!

still life times 3.

Hello... is this thing on?

For the past couple of weeks, 3 different grade levels have been brainstorming and planning as they experiment with composition, color, value, and 3d volume/space. Each of the projects also addresses the idea of self as they are composed of personal items and favorites.

I introduced my 1st graders to the works of British artist Michael Craig Martin. I get a kick out of his thematic compositions and how he elevates and subverts this scholastic magazine/ visual dictionary figurative style. We looked at how some shapes were overlapped by others and how that's an example of front/back. We also noticed his free use of color to fill his objects.

We used his style and image structures to create a still life that was composed of things we liked to play or work with.

The kids started by writing a list of 5 things and then doing small sketches of them. After that, they moved on to taking those and trying out at least 2 different composition sketches. Before moving on to the final I have them share why they're choosing one sketch over the other to a partner.

I always encourage drawing softly, drawing bigger, and that changes may occur from small sketch to big final. They used crayon and cake temperas to complete the project. 

This is the first time these 1sts have gone though these steps with me and they did a wonderful job with the creative process.

My 4ths were using a still life by Roy Lichtenstein as the inspiration for a crayon and tempera multi panel personal still life. We identified how he used multiple panels to break up the picture. We talked about comics and how Roy was inspired by their look and visual devices. We connected this to the graphic novels today and the intro credit sequence to Marvel Comics movies these days.

The project involved them brainstorming, practicing, and planning a still life that used a minimum of 3 frames to communicate something about themselves. They also used crayon and cake temperas to complete their project.

Currently, my 3rds are also experimenting with the still life subject. This time, focusing on composition, color value, and 3d volume. We are looking at the work of LA based photographer Stephanie Gonot. I love how her compositions of food items references decorative patterns. The sweetness of her subjects and color choices also draw me right in. We look at a Picasso still life in my room and identify the point of view present in it. I then share overhead photos of food still lifes she has done and we talk about the overhead point of view and then get into shadow and light. This ties in with 3rd grade science concepts. How if we see the shadows on one side, the light source is directly opposite it. How shadows change in size and direction throughout the day, and how different size objects create different size cast shadows.

They, too, are listing, practicing, and planning as they create a still life that shows 3d volume and space, a consistent application of light source and shadow, and developing sense of effective/engaging compositions.

getting 3d with ricky.

My first rotation with the 5th graders focused on using line to create an abstract design using overlapping shapes and to use color value to make those elements look more 3d and real. The inspiration for this project was the work of Ricky Watts, a super cool painter based up in the Bay area of California.

To start  the lesson, we looked at several of the murals Ricky has done around the country. Kids noticed that he repeats lines and shapes a lot in his work. They also saw how he used overlapping and color value changes to add a 3d quality to his compositions. They were able to figure out that he was adding white and black to his colors to make them darker or lighter. The kids loved checking out Ricky's work. The vibrant colors, the glow, and the scale really stood out to them.

Since we would be working on paper with color sticks (basically short colored pencils without the wood), I asked the kids how they would create a similar effect in their work. The answer- adjusting hand pressure.

As kids started to brainstorm and sketch, I emphasized that they are attempting to create an image inspired by Ricky's work and not copies or replicas of it. Once they did at least 2 sketches, they were to choose one for their final design and explain their reasoning with a a detailed because statement. They could then move on to white or black paper to draw out their design softly.

 

Students tried to capture light, medium, and dark color values in their design by adjusting how hard they pressed when coloring.

When their drawing was complete, I encouraged them to go back and take a closer look at it to see if they needed to revise any areas that could be improved. When that step was done, they could move on to the reflection piece of the process and complete their exit slip. Again, trying to add specific reasoning and details in their responses.

This project went over one session (80 minutes) and into the 2nd session for about 20 more. For the 2nd session, I gave them about 15 minutes to reflect/revise, and then I introduced them to a new project.

This project applied the color value skills they practiced in the Ricky Watts drawing to a video gane character design project. We discussed some old school and not so old school video games that use pixelated characters. We also revisited a pixelated print project from 4th grade. The kids noticed that these characters looked flat because of the lack of value contrast.

Their new role was to be a character designer for a video game and to also make parts of the character look more 3d by using light, medium, and dark color values. They sketched a couple ideas, picked one, explained their choice, and then drew it and added color to it on a larger sheet of paper.

The bonus... students that finished early and who had executed them properly, could build their character on a Bloxels board (a peg baord that goes with the Bloxels Builder app) and then take a photo of it with the app and actually drop it into a video game!

This was a BIG hook. I have been piloting game design with a small group of 4ths an a weekly basis and this was a great way to introduce the 5ths to the process as well. It provided an engaging and fun extension of the content of the first lesson too:)

Check this one out! She followed the project rules of just horizontals & verticals and using light and dark. Way to push the envelope!